A policeman in the audience sees an all-too-real death scene on a London stage: “Good enough to satisfy the most critical reader of detective stories.” —The New York Times
Inspector Roderick Alleyn has been invited to an opening night, a new play in which two characters quarrel and then struggle for a gun, with predictably sad results. Even sadder, the gun was not, in fact, loaded with blanks. And when it comes to interviewing witnesses, actors can be a deceptive lot . . .
“It’s time to start comparing Christie to Marsh instead of the other way around.” —New York Magazine
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